6/15/15

Don't Just Look at the Ratings -- A Closer Look at Pitchfork's Numbers, Part 1: Genre Bias

If you clicked on this on facebook because of this
bullshit MGMT picture, you got got.  Please read
the article anyway.
I guess just a warning that this post will be unlike anything anyone is used to reading on Sad Moth.  Some of you will hate it.  Well, most of you will probably hate it.  But I enjoy doing it, and this is just the first of a series of these, so get used to it.  I guess I just ask that you try it, and don't immediately turn your brain of the first time you see a graph and go jag it instead.

It's kind of a spoiler to put my big conclusion in the second paragraph of the first post of this series, but here it is.  Don't just look at the numbers on Pitchfork.  You don't know what you're getting yourself into.  Rating music is completely subjective, and putting it on a numerical scale is even more so.  But there are some things that can be expected of these ratings.  If Pitchfork wants their ratings to mean something, they need to be unbiased in all their ratings.  In other words, if Pitchfork wants to rate every one of their albums on the same scale, they need to actually do that in practice.

6/1/15

Let's Play Spot The Sad Moth!

Sam Lyons has a great new music video, so you know what time it is! Time to play Spot the Sad Moth!



Did you spot the Sad Moth? Click "read more" see if you were right!

5/26/15

Eaux Claires Alphabet

Eaux Claires is coming up so get ready!
Here is a compiled YouTube playlist that I lazily made that has something from every artist or performance that will be in Eau Claire July 17th-18th for the Eaux Claires music festival.




The acts I'm most excited for are:

Allan Kingdom

Bon Iver

Collin Stetson 
(I'm weary about how this will be in concert)

Melt-Banana
(I am so fucking excited for these guys)

No BS! Brass Band

Spoon

\Sturgill Simpson

Sufjan Stevens
(yes)

So get pumped, and get ready for Eaux Claires this July (17th-18th). This is a good fest for Wisconsin.

Happy listening, 

Sad Moth Manny

Editor's Revision:

The only band worth watching:

Sad Moth Music has (finally) passed the Officially Official Nick Punto Fan Club in Total Pageviews

Congradu-fucking-lations to all my Sad Moth associates.  You guys think we're growing our readership, starting to carve out a niche audience?  Well we've achieved a great benchmark to success, just today surpassing the Officially Official Nick Punto Fan Club in total pageviews, eight months after our first post. Yep, we're really taking off.

But don't get too comfortable on top. "True Grit", the Officially Official Nick Punto Fanfiction, is developing a devoted cult following.  Mark my words. The Officially Official Nick Punto Fan Club will rise again.

5/18/15

Sad Moth Reviews: Kendrick Lamar -- To Pimp A Butterfly

Reviews By:

Noah                      10/10

Manny                    9.5/10

Aggregate Score:    9.75/10

5/11/15

Sad Moth Concert Series Pt. 4: The Blurriest Concert Photos Yet With Noah: Chance The Rapper

Is this a picture I took with my phone, or
a My Bloody Valentine album cover? You
tell me.
I guess nobody else is going to write about the greatest confluence of writers in the history of Sad Moth, so I might as well.  I went to Chance the Rapper at UW-Madison two  Sundays ago with fellow Sad Mothers Manny and Katie, as well as generally cool cats Nate Kaufman, Ian, and Kendall.  Mason the slimy grimy slug was also in attendance.  In addition I bumped into Levi Heirlpin, John Mayers and Oscar Biggs.

“Smoke Agaaaaaaaaain!  Play Smoke Agaaaaaaaaaaaain! … … … … … … … … … … … Smoke Agaaaaaaaaaaaain!” –John Mayers

Chance did not play “Smoke Again”.

He did play “Wonderful Everyday: Arthur”

“Dude, that was a throwback! The Magic School Bus theme!” – overheard being said by some guy who meant well, but was a cockmaster nonetheless.
My poor view was made poorer by orders
of magnitude due to this shoulder-sitting
piece of human garbage.

The stage was situated at the end of library mall, which was fine, but the whole place was perfectly flat, which meant you couldn’t see very much if you weren’t in the very front or tall.  I mean, I did get good looks intermittently, but I couldn’t tell you what color pants Chance was wearing.

Though near the end I got pretty close
Chance is a very good live performer.  He is articulate and on point with his rhymes.  He almost always remains at center stage with his mic on the stand, instead of holding it, pacing around stage and stuff.  I think this emphasizes that he is more of a front man for a band than a solo act.  His presence fit his billing—he’s not Chance the Rapper, he’s Chance the Rapper & The Social Experiment.


At one point during the performance, the
binary star system of Alpha Centauri
suddenly appeared on stage.
I guess my one criticism is that act seemed a little inevitable.  Chance has been working with the same material for a while now, and people knew what songs were coming, and he did them.  I know his new album, Surf, which seems to be coming out any time now, will finally expand upon and realize the potential people saw in Acid Rap and Chance’s other mixtapes.  If going to this performance did anything for me, it got me more excited for what’s next.

5/7/15

The Most Important Of Things: Results of the Sad Moth Fan Poll

With the addition of new writers, I am now obligated to include them in the "Best Reviewer" poll.  This also means closing the previous poll.  Below are the results.  There are not many conclusions to be drawn from the data, except that Nimbi was clearly the worst, performing about 27% below the mean.  Patrick took the top spot, but only by a vote.  I think it can be said that with the closing of this poll ends the first definitive era of Sad Moth history.  Nimbi is dead, and in the past weeks the size of the Sad Moth writing staff has grown a full 25%.  The era of the First Four is over.

Who Is The Best Reviewer on Sad Moth Music?

Patrick
  13 (28%)
Emanuel
  12 (26%)
Nimbi
  9 (19%)
Noah
  12 (26%)

Votes so far: 46
Poll closed